Ruined Existence Ceramic Sculpture 01

This ceramic sculpture embodies resilience and introspection, merging organic forms with layered narratives of struggle and renewal

Artwork Description

 about this ceramic sculpture

"Ruined Existence" is a ceramic sculpture series by Iranian artist Ziba Pashang, created using the ancient coil technique. The sculptures feature organic forms and muted tones, highlighting the artist's meticulous layering process and attention to intricate detail. Pashang's work delves into themes of disrupted tranquility and personal reflection, with each piece crafted in a meditative process, layer by layer.

The coil technique, one of the oldest methods of hand-building ceramics, involves rolling clay into long, snake-like coils. These coils are carefully layered to construct walls or organic forms, allowing for dynamic shapes and intricate textures. This method results in unique ceramic sculptures that invite viewers to immerse themselves in layered narratives and contemplative beauty.

The muted tones in "Ruined Existence" evoke a sense of introspection and serenity, reminiscent of nocturnal thoughts and whispers. The color palette, combined with the organic forms achieved through the coil technique, creates a soothing and introspective experience. Pashang's ability to blend emotion and form demonstrates her skill in creating visually and emotionally engaging clay artworks.

about the artist

Ziba Pashang, born on August 29, 1980, in Tehran, Iran, is a prominent contemporary artist celebrated for her sculptural works. She earned a Bachelor’s degree in Handicrafts from Alzahra University in 2003 and a Master’s degree in Painting from Sooreh University in 2017. Her work reflects a deep understanding of traditional Iranian art forms, such as miniature painting, marquetry, and textile printing.

Pashang's career includes active membership in notable art organizations like the Association of Iranian Sculptors and the Association of Iranian Pottery Artists. Her works have been exhibited internationally, including solo exhibitions such as "Ruined Existence" at Seyhoun Art Gallery in Tehran.

Inspired by personal struggles, Pashang draws on memories of a childhood shaped by war and ongoing insecurity in the Middle East. Her ceramic sculptures serve as visual narratives that reflect wounds from familial battles with cancer and the silent suffering of nature, particularly trees.

Each piece carries a symbolic interior, encouraging viewers to uncover stories of sociopolitical struggles and the artist's personal health challenges. Her work transforms pain into beauty.

View her full collection of artworks here

Note: This ceramic sculpture is one of a kind original therefore, all copyrights and reproduction rights are reserved by the artist.